Music, Art, Machine Learning, and Standardization
Brook, Taylor. “Music, Art, Machine Learning, and Standardization.” Leonardo, MIT Press, 2021, 1–11.
Orchestration and Pitch Precision in the Music of Marc Sabat
Brook, Taylor. “Orchestration and Pitch Precision in the Music of Marc Sabat.” Tempo Music Journal 295, Cambridge University Press, 2020.
Musicking with Music-Generation Software in Virtutes Occultae
Brook, Taylor. “Musicking with Music-Generation Software in Virtutes Occultae.” Leonardo Music Journal 3, MIT Press, 2020, 3–8.
Virtutes Occultae: A Basis in Harry Partch
Brook, Taylor. “Virtues Occultae: A Basis in Harry Partch.” Sound American 20 (Just Intonation Issue, 2018).
Synergy of Form, Rhythm, and Orchestration in Three Microtonal Compositions
Brook, Taylor. “Synergy of Form, Rhythm, and Orchestration in Three Microtonal Compositions.” DMA thesis. Columbia University, 2018.
Neoclassicism in Lutoslawski’s Double Concerto
Brook, Taylor. “Neoclassicism in Lutoslawski’s Double Concerto” from Lutoslawski: Music and Legacy. Edited by Stanislaw Latek and Maha Trockimczyk. Montreal: Polish Institute of Arts and Sciences in Canada; Cracow: Polish Academy of Arts and Sciences, 2014, 169–177.
Mitya: Concerto for Clarinet (master's thesis analysis)
Brook, Taylor. “Mitya: Concerto for Clarinet.” Master’s thesis. McGill University, Schulich School of Music, 2010.